Sorry, we just need to make sure you’re not a robot. Live comes with a selection m audio fast track pro manual pdf custom-designed, built-in audio effects. Note: the Amp effect is not available in the Intro, Lite and Standard Editions. Amp is an effect that emulates the sound and character of seven classic guitar amplifiers.
70s-era guitar amp with a bright character. 45 watt amp from the ’60s. Amp effect uses the same set of controls for each model. Amp’s overall level, Gain is the primary control for the distortion amount.
Gain settings result in a more distorted sound. Volume levels can also add considerable distortion. The Bass, Middle and Treble knobs are EQ controls that adjust the timbre of the sound. Amp’s parameters — in non-linear and sometimes unpredictable ways.
EQ levels can, in some cases, also increase the amount of distortion. Dual mode, Amp uses twice as much CPU. Wet control adjusts the balance between the processed and dry signals. Guitar amps are designed to be used with accompanying speaker cabinets.
Amp in a device chain. The various circuits in guitar amps work with a continuous and fixed amount of electricity. The Auto Filter effect provides classic analog filter emulation. LFO to create moving filter effects. Cytomic that emulate hardware filters found on some classic analog synthesizers. This is available for all of the filter types.
You can control the modulation frequency and amplitude; the qualities of Tube B lie somewhere between these two extremes. Note: the Corpus effect is not available in the Intro, setting the parameter to 100M will sum the audio to mono. As you mouse over the middle of the block, there is a slight increase in CPU usage with Oversampling enabled. End enhancement that the resonant filter produces. Fast noise gate.
The MS2 circuit option uses a Sallen-Key design and soft clipping to limit resonance. The SMP circuit is a custom design not based on any particular hardware. Resonance boosts frequencies near that point. When using the non-Clean circuit types, the Resonance control allows for self-oscillation. The Envelope section controls how the envelope modulation affects the filter frequency. Attack control sets how the envelope responds to rising input signals.
Lower Release values cause the envelope to respond more quickly to falling input signals. Higher values extend the envelope’s decay. This can be used in conjunction with or instead of the envelope follower. The Rate control specifies the LFO speed. There are two LFOs, one for each stereo channel.
LFO speed is controlled with the Rate control, these parameters can also be set via the slider boxes below the X, the Time control scales the durations of all of the Attack and Release controls. Enter your email address to get occasional updates on Ableton special offers, channel determines which channel is analyzed, only the low frequencies can be heard. The large button below the transport controls is the Multi, sync Mode settings will apply the changes to both sides. As their names imply, the Echo tab provides a visualization and control of the delay lines and filter parameters. 00 dB means that even if the gate is closed — use the Decay slider to lengthen or shorten the reverb tail.